| It's Saturday
night and the band, a quintet led by trumpeter Frank Grasso, is playing
typical jazz club fare: "Green Dolphin Street," "Satin Doll," "Autumn
Leaves." But the fare on the tables is not to typical: Beijing duck,
General Tso's chicken, dim sum, portabello mushrooms and spinach saute.
Welcome to Shanghai Jazz, New Jersey's
latest jazz venue, a restaurant-bar, at 24 Main St., Madison, named in
honor of one of the Jazz Age cities of the 1920s and 1930s.
"People may wonder how you get Shanghai
and jazz," says proprietor Martha Chang, "but if you learn about the
history of Shanghai, it makes sense."
You don't even have to delve into
Chinese history for the connection: the history of the Count Basie
Orchestra will suffice. Note that trumpeter Buck Clayton, a mainstay of
Basie's Swing Era band from 1936 onward, is listed as having joined
Basie after returning from Shanghai, where he led a band for a couple of
years.
Chang became fascinated with Shanghai
when she spent a year there, and in other Chinese cities, as a Fulbright
Scholar in 1993, working on a Harvard doctorate in East Asian politics.
"Shanghai really captured my
imagination," says Chang. "There's all these European influences there
that are so strong. They're in the architecture and attitudes and the
music. In the late '20s and '30s, the Peace Hotel had jazz every
night. And after the Cultural Revolution, they brought back the old
musicians who used to play there. You can hear them on Saturday nights;
it's like a Shanghai Preservation hall.
So Shanghai was on her mind when Chang
took over the family restaurant, Four Seas, Cuisines of China, and
changed the name to Shanghai Jazz.
"I saw Shanghai in the he '20s and '30s
as this place that was exciting and cosmopolitan, like morocco, London
or New York -- just so glamorous, a real destination. And I thought why
can't we evoke that feeling here, in New Jersey?"
"And I love jazz: Ella Fitzgerald,
Billie Holiday, Louis Armstrong. So why not have that classic jazz I
love so much? I thought: Louis Armstrong and Chinese food, what more
could you want out of life?"
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Even before she
brought live jazz into the restaurant last fall, Chang had already begun
preparing diners for the music. The soundtrack to the dining experience
at the restaurant is wall-to-wall classic jazz, as recordings by Ella,
Billie and Louis, as well as Duke Ellington, Count Basie and other jazz
giants are piped in over the sound systems.
Then the restaurant began presenting live
jazz in a corner of the dining room on Wednesday evenings from 7:30 to
9:45, a move so successful that on Saturday evenings, jazz groups were
added from 9 to 11:30 p.m.
"I want to gradually expand the live
music," says Chang. "A lot of times people have to schlep into
Manhattan to hear jazz. We'd like to help them avoid taking that trip
all the time, and provide a place to nurture jazz locally."
Among the local musicians who have
already played Shanghai Jazz and will be returning are guitarist-singer
Eddie Hazell's Trio, singer Nancy Nelson, the Eric Olsen Trio and
guitarist Bob DeVos. Singer-guitarist, Grover Kemble, and his trio make
their Shanghai Jazz debut tonight, and saxophonist Jim Pellgrino, who
appeared last Saturday in Grasso's quintet, returns in a more intimate
duo setting this Saturday.
Beginning next month, on Feb. 9, Chang
plans to increase the live jazz lineup to three days a week by adding
Friday nights. And on Sunday, Feb. 18 and Friday, Feb. 23, the
restaurant will host, "Chinese New Year in New Orleans," with music by
Mike Denny's Dixieland Jazz Band and Chinese New Year banquet food, with
patrons encouraged to wear Mardi Gras costumes and/or masks.
Jazz and restaurants in New Jersey have
had uneasy marriages over the years but things bode well for Shanghai
Jazz. Usually it is musicians or agents who push for the music; this
time it's the owner herself. And by playing jazz on
the sound system even when musicians are not appearing, Martha Chang is
making the venue conductive to jazz. Also, for a room without a stage,
the sound is remarkably good. It should be even better when Chang
finds the piano she's committed to adding to enhance the music
presentations.
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